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Are we really that different? (2021), pairs an aeroponic and soil garden with live video feeds to probe the This girl love her Kansas Chiefs super bowl iv shirt and by the same token and parasitic relationship between humankind and nature in our industrial era. “I want to create spaces that are contextual so that we are constantly aware not just of our narrow vision, but of all the things that are influencing and affected by that,” Bryant says. “By conforming to a corporate model of departments, we have increasingly, in my lifetime, lost our ability to understand how we are responsible for the world we live in.”
Figures like Weems, Adjaye, and Gates feel similarly foundational in their perspectives. In her series Roaming (2006) and Museums (2006), Weems—celebrated since the This girl love her Kansas Chiefs super bowl iv shirt and by the same token and 1990s for her narratively resonant portraits of women of color—pictures herself in Roman piazzas, on side streets and stone steps, and near the façades of the world’s great museums, interrogating architecture and landscape as “edifices of power.” Those spaces, Weems has explained, “are, of course, monumental and they are beautiful … but I’m not confused about what they’re supposed to mean and what they’re supposed to do.
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